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Showing posts from October, 2019

BIGIL. Review.

Sqeezing the spicy stuffs from vijays recent releases to build the first half, and sculpting the second half with a sense of dignity, drama, and sports, bigil smoothly manages to satisfy the fans as well as the general public. PLOT Bigil starts as usual with colorful intro of vijay as michael who lives in a slum with his friends and family. The film follows the cliched gooffy attempts for laughters ,typically, and a cheerful kickoff with nayantharas introduction. Movie make its references to the past when a friend of michael named kathir who comes to him with his state football team. Kathir and michael were attacked by local goons and kathir became severely wounded and paralysed. The entire team blames michael for the incident that spared the  team's future and michael became defenestrated from the team, which is infact nurtured and funded by michael himself with an insight to provide oppurtunities for marginalised girl children and thus to social progress. Michael takes the

JALLIKKATTU. Review.

Jallikkattu literaly refers to a festival of bullgrabbing celebrated in tamilnadu is having its resemlance with the storyline of the film in which the entire 1:30 hrs is all about chasing a buffallo escaped from the custody of a local butcher named varkey. The film interplots the rivalry between two individuals thus it turns out briefly into a competent establishment of power over the other. The film ends up snatching the buffallo with a moralistic insight as it narrates "those men runs in two legs are just equal to animals treed on four legs." THUMBS UPS.... The director lijo jose pallissery prooves himself once again as a figurative narrator of realistic stories. Background scores that booses our heads is very adaptable to the situation, so that the audience are all grabbed visually to chase the unhinged buffallo through the darkest hours. Cinematography happens to be the real hero of the film as it fetched every nukes of the valley in search of visuals in a lucid w

JOKER, Review.

The story of joker is all about a man with neurological disorders turns out to become a criminal through the continuous social rejections and personal agony. The film invites the audience to the more darker mind of the character and compels to justify the characters crimes and gets sympathised to him. Its story cannot be told directly as its a character-centric approach from the creators to let the viewer to judge his actions with our own personal ethics and free will. HATS OFF TO.. .. The brilliant performance of Joaquin phoenix that overshadows the entire artists of the films by every complicated emotions and gestures comes and goes within the fraction of seconds. His miniacle laughters, moodswings, dance and everything will be revelling in your discomforts and you will be sympathised to it more efficiently than accepting the sadistic villiany of the pop culture's crown-prince of crime. As its the origin story, the film refers to the Waynes family, Anti-rich sentiments in

SAIRA NARASIMHA REDDY, Film review.

The film tells about the story of a freedom fighter named narasimha reddy who was one among the 61 territorial kings of southeast india. As the conflicts between the neighbouring kingdoms were very frequent in medieval times, Narasimha reddy decides to reunite the people by celebrating a local festival of unity and thanksgiving with a hope that the united front can overthrown the British government. As we read in the history of medieval india, treason and espionages were very commonly made for the individual pride there by allowing the british to establish their power. Narasimha reddy withstands all these huddles and fights against british till his last breath there by enters into the inspiring list of warriors with unconditional nationalism, bravery and humanism. CLAPS. Making a historically period film which is left untold in oriental indian history is a commentable effort from a nationalistic perspective. Artworks of the film is exorbitant with colorful landscapes, courtyards a